![]() There is nothing else left to say: "Three colors: red" looms on the horizon. And Julie Delphy's following words sound as a sort of sincere homage to Kieslovski's art: "Kieslowski is a director who draws his inspiration from the true life of people, who instills his own soul into his movie, who dwells upon the details as if he wanted to examine the life under a microscope." Absolutely true. "Three colors: white" is very different from the other two episodes of the trilogy, but nonetheless the unmistakable touch of the genius can be generously found in the accurate care of the details, in the emotional intensity of the dialogs, in the careful analysis of the individual values, in his safe distance from the events represented by him, in his constant application of the principle of casualness and in his large use of metaphors (look for instance at the sequences of simultaneous flights of pigeons, symbolizing an open concept of freedom often cherished in his works). The inborn sense of Kieslovski's BLACK humor comes out here in all its might almost counterbalancing the concept of absolute WHITE connected with he story. It may be considered the most unforeseeable movie of the whole colors trilogy, full of sharp and witty tones of grotesque melodrama, with a reluctant and peevish Julie Delphy never seen so cold-mannered on the screen before. ![]() ![]() "Trzy kolory: Bialy" (Three colors: White), second episode inspired to the three colors of the French flag and to the three principles of the French Revolution (Freedom, Equality and Fraternity), brings back to us two old acquaintances, Zbigniew Zamachowski (very similar to the pathetic Italian character Fantozzi,) and Jerzy Stuhr. His desire for revenge blows out his residual flickering flame of love after having suffered unforgivable affronts devised by his heartless wife. According to Karol, the main character, it's better to have loved and lost than never to have loved at all. WHITE is Dominique's final orgasm, a real scream of liberation from the yoke of her spiteful stubbornness, the false revenge of a woman unaware of her impending calamity, completely unacquainted with the bitter game of make-believe inspired by a wickedness that cries out for vengeance. WHITE is the bust of a statue caressed as a memento of a love irremediably lost. WHITE is the glimmer of the impending reflexes in the background of a lazy town buried under the snow. Overall, "De couleurs vives" is a powerful anthem that promotes inclusivity, celebrates diversity, and encourages individuals to live authentically while challenging societal norms and prejudices.WHITE IS THE COLOR OF DOMINIQUE'S WEDDING DRESS at the exit of the church, surrounded by the blazing whiteness of an overexposed background, full of subtle symbolisms imbued with hypnotic nuances. She sings about singing and doing her best, suggesting that everyone should strive to do their part in making the world a better place. In the final verse, ZAZ mentions leaving behind the petty conflicts and focusing on personal growth. C’est pourquoi connaître la signification des couleurs est primordiale pour bien choisir ses couleurs quand souhaite réaliser une illustration, un design ou toute autre création qui nécessite de faire passer un message. Naturellement, on associe telle couleur à telle émotion. She hopes that through her music and prayers, a change will occur, bringing people together and eradicating discrimination and prejudice. Les couleurs ont un effet psychologique sur nous. ZAZ acknowledges the disappointment she feels towards those who divide instead of uniting. The song also touches on the idea of unity and the shared human experience. This signifies her refusal to conform to societal expectations and her determination to embrace her uniqueness and individuality. ZAZ expresses her desire to live, laugh, and be free, emphasizing her identity as a woman of vibrant colors. The lyrics convey a sense of frustration and suffocation caused by the prejudices and ignorance of others. ZAZ challenges the notion that one's worth or social status should be determined by their name or the color of their skin. The song "De couleurs vives" by ZAZ speaks about the struggle against discrimination and division based on race, nationality, and societal expectations.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |